nice price deal !!! beaumont steps up for the next release on hotflush, with his >never love me ep<. the young scottish producer michael rintoul created a slice of hypnotic r&b dream pop on last years >blush reponse ep<. it was described by inimitable brighton-based blog 20jazzfunkgreats as having produced, >by a strike of genius and inspiration<, the authentic soundtrack to >a really cool z-series 80s thriller<. this time round, the vocal work on the title track is reduced to a barely intelligible processed warble, which provides the scaffolding that supports the sparse drums, synth washes and plucked melody. >uptown< begins with carpenter-esque keys of dread, but is quickly drenched in a warm shower of shimmering keys that tussles with the shuffling half-beat. the >rendez-vouz< could be on mars, cosmic winds billowing, until a snaking bassline throbs into sight, beaumonts impeccably programmed drums playing off against the tense synths. star crossd lovers indeed upon the eps closer, >verona beach<, the tidal back and forth grounding, the sound of the sun setting on a miami vice beach, but disturbed into syncopated sense.

helic.al, the new label from todd sines + charles noel / archetyp, functions as an constrained exercise to break from restrictions. instead of the obvious new electronic dance music label that would be expected of these seasoned producers, helic.al turns history on its ear, resulting in collaborations new and old. the debut album from interval, featuring bassist andries boekelman, sines on vocals, guitar, synths & engineering, noel on drums and percussion, steps outside the comfort zone of endless tracks and overdubs from a digital workflow, tracked to 8-track tape, and mastered direct to lacquer by josh bonati, with no computers in between. future releases include crash course in science s michael zodorozny and todd sines as i/tmsz, soviet s amanda berkowitz and alyssa barrera as artefactos de dolor, möthersky, excepter s ssps & gramma, and is in discussion for releases from robert görl of deutsch amerikanische freundschaft, graham lewis of wire, dome and he said, and stephen mallinder of cabaret voltaire / wrangler, for a follow up to his seminal 1982 release, pow wow

vinyl only release !
roduced by roman flügel and jörn elling wuttke / published by copyright control mastered by dubplates and mastering, recut by stefan betke at scape mastering berlin alter ego recordings is very pleased, to rerelease this acid jesus classic, which is sounding just as fresh as it sounded, when it was released on klang elektronik back in 1997. the record was out of print since over 15 years and the tracks were not availlable on any digital platform. based on a very light, but striking ground construction, roman flügel and jörn elling wuttke leading their listeners over delicate fm-synthesis-sounds, minimal clonky bass patterns and snappy percussions to a long intermission breakdown, which reminds us of a starting boeing 747. where “interstate” plays like an inspired peakhour-jam should, “turkey skank” and “hibernation drive-, on the b-side, take on cooler tones for a headier machine-funk ride. the record was played out by dj’s like andrew weatherall, matthew herbert, luke slater, baby ford, dj hell, ellen allien, sven väth, ricardo villalobos, michael mayer etc.

nach dem grossen erfolg von grey (kompakt extra 93) im letzten jahr kehrt koelsch zu speicher / kompakt extra zurueck – die single, die alle ueberraschte als sie den daenischen kuuenstler ins tagesprogramm britischer radiosender katapultierte. neben dem beginn eines eigenen bbc1-formats hat er sich als dj enorm weiterentwickelt, was zu residencies in koeln und ibiza fuehrte. koelsch hat außerdem sein eigenes plattenlabel ipso an den start gebracht: eine famose kollaboration mit michael mayer machte den anfang, mehr ist auf dem weg.

in silent series, the new record label from british born artist michael jefford (aka positive centre), sets out to cultivate exploratory releases from a broad selection of artists that focus on the potential of technology to create transportive and reflective images.
reassembly lays out this path, bringing together a collection of positive centre’s reimagined and previously unreleased works, featuring a monumental reconstruction of hiding knives by shxcxchcxsh.
having made a slew of immersive music for the labels stroboscopic artefacts, our circula sound, leyla, snts and polegroup – in silent series gives positive centre license to explore and refine his personalised vision of width, depth and texture and present artists that share this vision.

rawax welcomes the electronic vikings bjarnar jonsson (ohm), jónas thor gudmundsson & michael sickinger (octal industries) to the family!

incl wbeeza edit

das 3lp-package im klappcover, mit großartigen fotos und ausführlichen liner notes von dave hendley, ist in limitierter auflage für kurze zeit wieder erhältlich! mit dieser veröffentlichung von 36 essentiellen aufnahmen hatte vp records bereits im jahr 2004 der jamaikanischen institution ein würdiges denkmal gesetzt, war doch channel one für fast 10 jahre (1974 - 1984) die absolute nr.1 unter den studios der insel und hatte mit seinen produktionen einfluss auf die musikhistorie, die der von studio one und treasure isle der 60er jahre in nichts nachstehen. hier finden sich originale von den großen künstlern wie barrington levy, delroy wilson, dillinger, clint eastwood, the mighty diamonds, john holt, yellowman und vielen mehr, sowie die aufnahmen der allerersten 12-inch maxi-single, die in jamaika erschien, die extended versions von the jays & ranking trevor - truly deejay mix (coverversion des marcia griffiths klassiker) und queen majesty, die reggae-version des curtis mayfield songs.

nick hook is nyc’s waviest resident: an in-demand collaborator, producer extraordinaire, and all around provider of vibes who’s lent his touch to projects from run the jewels, young thug, and countless others, all while building a creative community around his studio, thespacepit, in greenpoint. now the redheaded kingpin steps forward with his relationships lp on fool’s gold, a 16 track album of collaborations that are unconventional, unexpected and all-the-way live (literally: each song was recorded in-person with nick behind the boards, a refreshing move in the email verse era).
featuring a festival-worthy lineup of new school rap upstarts (21 savage, novelist, ilovemakonnen) and fellow beat radicals (prefuse 73, hudson mohawke, the late dj rashad), relationships isn’t just the world’s greatest party guestlist, but a chronicle of nick’s year long, after-midnight vision quest—the sound of a producer breaking through the chrysalis, killing the ego, and raising the bar. put your phone down and dive in.
white double vinyl in gatefold sleeve.

exklusive zusammenstellung und 100. katalognummer von sonorama records – vierzehn unbekannte tracks, aufgenommen 1959-63 in westdeutschland von einigen der besten europäischen jazzmusiker jener zeit, mit barney wilen, francy boland, rolf kühn, joki freund, attila zoller, fats sadi, roland kovac, rolf ericson, michael naura und unzähligen anderen. alle aufnahmen ausgewählt aus sammlerarchiven und sorgfältig gemastert für 2lp-gatefold-vinyl und longplay-digipack-cd, mit neuen sleeve notes sowie künstlerfotos von susanne schapowalow und hans harzheim. große momente aus der wirklich prosperierenden phase des europäischen progressive jazz.

undocumented soul & folk, compiled by dj roman bloecker. double vinyl with liner notes and download code.

vinyl only
side a: indochina, people, nature, instruments - this is -my trips-. it s a story about far places and smiley people. the other 3 positions on the release are booked for -musical gili- - hindu temples and incenses which let us to zone out. the second track on the side a is an atmospheric remix from jacek sienkiewicz s hands, the owner of recognition and one of the oldest cocoon recordings players. on the side b we find -musical gili- in original version and michael wolski s remix with a strong technical accent at the end. wolski is our man from international day off and technosoul.

after a strong run in the early 00 s, 3am recordings came back into action in 2016 with a various artists release that featured a range of artists closely tied to the label s foundations. now label boss al bradley is stretching his wings with -night owl-, a refined production that demonstrates his experience in the field of tech house. goshawk comes on board for a remix that takes the deep sweeping original and makes it into an effervescent summer time groover, while label regular michael scott nudges -night owl- into stripped down late night territory. the third remix from fourfourfour heads into oddball territory for those who like their house music off kilter and playful.

dark entries presents all four mixes of transdance by night moves as a tribute dedicated to the lives lost in the oakland ghost ship fire on december 2, 2016. night moves was the brainchild of michael guihen, from south london. inspired by seeing tubeway army perform on top of the pops in 1979 he placed an ad to form a synth-based band in the nme. in november 1980 he was introduced to denis haines, formerly gary numans keyboardist on the telekon album. denis and michael worked closely together, writing a number of backing tracks. one of these was the farewell song from gary numan to his band tubeway army, love needs no disguise. in exchange for this backing track, denis gave michael the studio time needed to develop transdance

the new york-based (u)nity is made up of michael valeanu, axel tosca laugart, chris smith, max cudworth and amaury acosta. they formed the band in 2006 as a project to explore afro-cuban jazz, funk, soul and contemporary electronica. they say they ve been influenced by everyone from chucho valdes to art blakey to led zeppelin to kendrick lamar, and you can definitely hear all of that in this jawdropping work. guarapachanga is special in that it was the first song written by the band back in their days as music students at the new school. it s derived from the style known as guarapachangeo the most advanced form of cuban rumba, heavily improvisational and based on very complex rhythms and melodies. on this recording, (u)nity is graced with a guest performance by grammy award winner pedrito martinez, a master rumbero, one of the greatest conga players ever, an innovator who has left a permanent mark on cuban music. martinez is also a priest in the yoruba religion and a historian of cuban culture. over its eight and a half minutes, guarapachanga twists and turns and journeys through a mind bending array of different tempos and modes, from latin jazz to hip hop, ultimately ending with a trippy ambient soundscape. the whole thing is overlaid with free spirited melody, soul and the afro-cuban essence that is the bands lifeblood. the white-hot live playing gives it the feel of the best early-morning jam session, yet it packs a sonic punch that will make it sound incredible on a good sound system in the hands of adventurous djs in the world-beat or spiritual-house vein. if you didnt know guarapachanga was a contemporary work you might mistake it for a loft classic, yet it s also as fresh and exciting as anything you ll hear this year.

180 gram doublevinyl. housed in a gatefold sleeve. total madness is the definitive compilation of the best that these british heroes of madness have to offer, finally available on two 180 gram of vinyl. all the hits are included on the album: “one step beyond”, “baggy trousers”, “our house”, “night boat to cairo”, “it must be love” and many more

aelfric michael avery has been a self-reliant artist for a long time. the canadian producer has been exploring underground acid and rough, homemade techno since releasing his first material as avery monarch back in 1994. however it wasn’t until more than ten years later that his music would surface again on his own napalm enema label. napalm enema has also carried work by the likes of faltydl, paul blackford and mrs jynx. avery has released just as much music under his acid elf guise, most notably appearing alongside +10 acid crew (jodey kendrick) for the sought-after bruvs acid ep, and now the alias makes a welcome return to vinyl with four essential tracks from the archives. there’s a subdued, hypnotic and delirious quality to the productions on this ep for arma, ranging from the uneasy delay pulses of fetus to the metallic clamour of urban wasteland, but most importantly they’re all injected with a distinctive personality that stands apart from the 303-tweaking masses.

detroit house guests ist ein kollaboratives projekt, das adult. bereits in den frühen 2000ern erdacht hatten. analog der idee eines künstlerstipendiums, luden adult. unter der prämisse des gemeinsamen lebens und arbeitens verschiedene musiker für einen zeitraum von je drei wochen zu sich ins studio ein. das resultat ist ein album, das sie nicht zu unrecht ein anthropologisches klangexperiment nennen. das werk bietet kollaborationen mit einer ganzen reihe verschiedener künstler*innen, darunter douglas j mccarthy von nitzer ebb, michael gira von swans, shannon funchess von light asylum, robert aiki aubrey lowe alias lichens, der österreichischen thereministin dorit chrysler und der multidisziplinären künstlerin lun*na menoh. bis heute haben adult. auf verschiedenen labels wie ghostly international, thrill jockey und clone records, sowie ihrem eigenen label ersatz audio veröffentlicht. dazu gesellen sich remixe für künstler wie tuxedomoon, john foxx und den pet shop boys.
das doppel-vinyl erscheint inklusive downloadcode.

thundercat veröffentlicht sein lang erwartetes brandneues album -drunk- mit gastauftritten von kendrick lamar, pharrell, michael mcdonald (doobie brothers), kenny loggins, wiz khalifa & kamasi washington!

new york city house / disco from ny/philly based producers. jacques renault of let s play house offers a string-heavy bassline slapped floor filler. matpat of philly with release on exploited and 124 recordings brings a raw kick, heavy pounding loop driven classic house track. evan michael offers a belter of a raw filter track for the rooftop set. higgins closes the record with an uptempo stomper.

off the back of their first ep release, super fun bumper editions trends, which received support from the likes of xl8r, thump, future classic, and bradley zero, beats of no nation is now gearing up for its second release by the chord memory band. chord memory band is a recent collaboration between michael medlycott (from the band vulture street tape gang) and dom bird (bonn co-founder and member of the live disco 4 piece mitzi). at the end of 2016, michael and dom caught wind of a cave, nestled beneath a sacred mountain, deep in the australian outback. the rumours described a cave filled with nocturnal animals and ancient flora, but more importantly, a stash of vintage synthesizers and drum machines. guided by whispers and caught up in the mystic mystery of it all, the duo set off with a dusty four-track tape recorder in an attempt to capture these mythical cave vibes and place them on a record. michael and dom surfaced several months later, with four recordings and no memory of what had occurred. these recordings became their synergistic third eye ep – an analogue journey into the spiritual world, with one simple message, the answer is inside.

in today’s increasingly barren rock and roll landscape, ulan bator stand as beacons of explorative songwriting. formed in paris in 1993 by amaury cambuzat (vocals, guitar and keyboards) and olivier manchion (bass), the band’s atmospheric approach to composition has consistently yielded guitar-driven avant-rock at once hypnotic and untamed. and while their sound has developed in a variety of directions – often in relationship to changing line-ups and various collaborations, including with krautrock legends faust and swans michael gira – ulan bator’s resist simple categorization: kraut-y repetition, post-rock guitar flourishes, kosmische synth work, intimate whispering and pounding drums have all taken an audible lead throughout their now twenty-year career.
the white coloured vinyl lp includes the album on cd.

dj soch delivers two banging house cuts. jam-packed with old school and funk band rolling beats. killer pumpin house remix by the great italian duo bassa clan. dancefloor alert!
support from josh wink, ryan elliott, adam beyer, norman nodge, maya jane coles, laurent garnier, joris voorn, andreas baumecker (barker & baumecker), kornel kovacs, rob smith (rsd/ smith & mighty), lovefingers (esp), kirk degiorgio, john osborn, fold, tiger stripes, iron curtis, woz, dop, nachtbraker, friend within, paul rhodes (2 bad mice), tensnake, jacques renault, alland byallo, kristian (ame), dave aju, michael serafini (gramaphone records, chicago), tom findlay (groove armada), gnork, jimpster + many more

chicagos eargasmic drops their 20th release with 8 strictly underground tracks from label boss daryl cura, frique, isoke, chicago skyway, and dcook. house to techno, banging to deep and a few in between. on heavyweight vinyl with download with color gatefold sleeve.

dubbed out disco edits made with love! dj play: tensnake, horse meat disco, pete herbert, crazy p, faze action, kza, justin strauss, fingerman, sleazy mcqueen, dj rocca, sancho panza, pontchartrain, get down edits, ooft, 80 s child, jkriv, michael the lion, dave allison, javi frias,

tanzflur-dresseur reinhard voigt ist mit neuer garnitur am start, ein tandem von zwei rohen, eigensinnigen technoschiebern, die nahtlos an das hochgelobte solo-release reisen & speisen (kompakt 338) und die zündende time is running split-ep mit michael mayer (kompakt 328) anschliessen. dazwischen konnte er sogar noch ein bisschen spielraum im geschäftigen kompakt-treiben herausschälen, um einen seltenen remix für el_txef_a auf dem aufstrebenden underground-label forbidden colours unterzubringen. nie um einen kopfnicker-dreh verlegen, fügt sich voigts jüngste veröffentlichung kontraste mit kraftvollem, minimalistischem techno gar kuschelig ins bisherige gesamtwerk: oszillierend zwischen reiner bewegung und monumental-abstraktem riff, verwebt the singing saw auf der a-seite mehrere angeraute synthesizer-motive um eine stoisch-ermächtigende bassdrum herum, während sich die b-seiten-aufnahme trust für die panorama-route entscheidet und seine täuschend simplen, doch ungeheuer effektiven lead-sounds zu einem überragenden schleifer mit seidenkante auftürmt. wie von reinhard voigt zu erwarten war, ist hier das ganze grösser als die summe seiner teile - ein weiterer beleg für seine meisterschaft in sachen kracher mit kniff.

special 4x12 inch techno pack - contains 4 classic releases from fat spanking beauty, goodfellas recordings and northwest dynamics:
- fsb04: kriz miller - transformator
- fellas010: michael burkat & andre walter - collaboration 10
- nwd010: wj henze - use at your won risk
- nwd012: slobodan - candiru

the mythical transdance from uk duo night moves is given a much needed official repress by domestica records and the barcelona label have spared no expense. a limited pressing of 400 10-s come housed in hand screen printed sleeves accompanied by a leaflet with complete biography of the band. despite the paucity of night moves discography, it s clear the duo of michael guihen and john davis have had an everlasting effect on the canon of synth music with their much admired debut. transdance was originally released as a limited 12- white label in 1981, finding favour on the dance floors of europe and new york city yet never really gained the wider exposure it richly deserved. original copies of the gc1 pressing of transdance still command slightly ridiculous prices on discogs so kudos to domestica for this rather special presentation which features a previously unreleased demo cut -life up- on the flip.

d3 elements continues to mine the fertile soil of midwest inspired house, techno and electro with this fantastic new album from michael dykehouse (sometimes found turning out experimental fare on planet mu and ghostly). here the grooves are immediate and engaging across nine tracks, from the bubbly -meltdown morning- to the spooked-out -clock division-, touching on a range of styles all bound together by a commitment to classic drum machine beats and synthesiser tones. this is far from a throwback record though, instead celebrating dykehouse s innate musicality through all manner of tempos and moods and coming out as a well-rounded long player in the process.

black box recorders aren’t black, they’re orange. often they are destroyed and they don’t always have all the answers we’re looking for. this recording documents a collision/collaboration between two sound artists, michael bjella (gog) and robert skrzy&#324,,,ski (micromelancolié). this is what survived and this is all we have left, the sounds should tell the whole story.

recorded in one take after a trip to the zoo last autumn, here is the first new track from the undisputed king of home-disco. superstar. check that b-side too. home recorded vocals straight from the heart, with the brooding braindance synths. tip for the boombox crew! limited edition. as hypnotic and floor-shaking as ever, keep on rocking keeps you on your toes through twists and turns, focused on a central mantra, it is what jamie principle s fathers lullaby might have sounded if had tried to put his son to sleep with his best impression of michael jackson and leroy burgess. the b-side is a powerhouse reimagining turned to a delightful 11 from the mysterious dj im sorry.

this is the first volume in a series of release showcasing the analog hardware experiments of michigan-raised, new jersey raised michael alan rogers aka personator. running the gamut from raw, springy machine rhythms propelling the snarls of modular synths to softly pulsating white noise adorned with lullaby-like melodies, two of the tracks were recordded straight to dat in the artists studio, while a third was recorded live at a late night loft party in chinatown. perfect for fans of hieroglyphic being, jahiliyya fields, nation, trilogy tapes, etc

praise poems vol.1: gilles peterson (worldwide / brownswood rec.): one of my fave comps of 2015. praise poems vol.2: oliver korthals (mojo / out of spectrum on byte fm): extremely well put together track listing of artists which i have never heard before. left me with my mouth open... - highly recommend! praise poems vol.3: dom servini (wah wah 45s): this is incredible.

zwischenfall formed in belgium in 1982 with michael sass (synths), martin urban (bass/vocals) and stephan kraemer (guitar/drums). they were united by their interest in combining electronic and traditional instruments, which developed the basis for 1982 demo recordings. by chance patrick codenys of the belgian electro pioneers front 242, heard two songs and decided to record a 4-song ep

our total compilation series hardly needs an introduction: we rummage through the kompakt releases to select our favorites from the past year that reflect our best and unsaid tracks, compiled and packaged as a cohesive whole.

nice price deal !!! the luvin legion of hot and bothered slime creatures, ghost groovers and winged horses has landed!some refer to bmmb:s music as funk, some call it skweee, but in the end its modern modern soul.it comes from a place where heavy crunk beats make love to sticky synthesizer leads and angel-like falsetto singing. so far bmmb has mesmerized club and festival audiences around europe.bmmbs only ep (hrmn-7) released in 2009 received amazing amounts of love from educated players such as modeselektor to mention a hot name. now bmmb is back with their long-awaited and long-prepared debut-album dirty seconds on harmonia.bmmb stands for barracuda, mesak and michael black.randy barracuda:best-known as a member of the electro funkateers imatran voima and one of the pioneers of the skweee -movement.mesak:known as a solo-artist from his releases on klakson, ceo of harmonia and a member of the electro group mr velcro fastener.michael black electro: poetry in motion. best known as a member of the hiphop avantgardists ceebrolistics and for his solo -productions on black acre - records

nice price deal !!! 3 versions by michael gray and ian carey of this beautiful friendship-hymn.

nice price deal !!! house pounder including sample of mobys go!

neue elektronische instrumente – minimoog, arp odyssey, roland system 100 und mc-4, die legendäre korg ms-20 oder die roland tr-808 – ließen die musiker zwischen punk und klassischer ausbildung, zwischen kunstakademie, ratinger hof und dem kölner studio für elektronische musik, einen völlig neuen hybriden entwickeln. die zusammenstellung trägt neben der historisierenden leistung aber auch einen deutlichen genusswert: neu!’s “isi”, rothers “karussell” oder wolfgang riechmanns traumhaftes “abendlicht” nehmen einen mit auf eine reise durch die wolken, daf, liaisons dangereuses und die krupps tanzen gleichzeitig am boden mit schweren stiefeln auf den verdreckten böden des düsseldorfer untergrunds. “electri_city 2” versammelt die exzentrischen protagonisten einer bewegten zeit, gleitet im rundblick durch den elektronischen kanon der landeshauptstadt nrws und birgt gleichzeitig lang verloren geglaubte schätze wie teja schmitz weitestgehend unbekanntes stöhnen in “studieren”.

deluxe doppel-vinyl edition im klappcover, limitiert auf 1000 stück.
neue elektronische instrumente – minimoog, arp odyssey, roland system 100 und mc-4, die legendäre korg ms-20 oder die roland tr-808 – ließen die musiker zwischen punk und klassischer ausbildung, zwischen kunstakademie, ratinger hof und dem kölner studio für elektronische musik, einen völlig neuen hybriden entwickeln. die zusammenstellung trägt neben der historisierenden leistung aber auch einen deutlichen genusswert: neu!’s “isi”, rothers “karussell” oder wolfgang riechmanns traumhaftes “abendlicht” nehmen einen mit auf eine reise durch die wolken, daf, liaisons dangereuses und die krupps tanzen gleichzeitig am boden mit schweren stiefeln auf den verdreckten böden des düsseldorfer untergrunds. “electri_city 2” versammelt die exzentrischen protagonisten einer bewegten zeit, gleitet im rundblick durch den elektronischen kanon der landeshauptstadt nrws und birgt gleichzeitig lang verloren geglaubte schätze wie teja schmitz weitestgehend unbekanntes stöhnen in “studieren”.

nice price deal !!! disco and housey edits/remixes done by earwig and happy finish. original edit done by michael rutten (mr) of soulsearching. an upbeat, feel good groover that is sure to get the party started. the latest from the shoes label spin-off plimsoll. dont sleep on this. strictly limited pressing.

following their release of the michael turtle 12inch last year, music from memory now publish phantoms of dreamland a compilation of works by the uk musician recorded between 1983-1985. tip! this double lp features tracks drawn from the recording sessions for turtles album music from the living room and also collects material turtle recorded shortly after that, for an album which would never materialise. with three tracks taken from music from the living room’ and the rest of the compilation entirely made up of unreleased tracks, phantoms of dreamland draws on an illustrious period for michael.

2018 repress , more killer stuff from gay marvine: a lost michael cut, obscure depeche mode, his own original music for his take on see line woman, and first choices 1974 the player turned into a house jam but still using the 70s drums.

product comes with deluxe hot foil stamping print in a gatefold cover! electrica salsa, revisited 30 years later, remixes by roman flügel and henrik schwarz. france, italy, austria, germany, quite precisely thirty years ago, one electronic track turned the european music charts upside down: electrica salsa by the frankfurt project off - a collective producing their tracks at master music studio. the founders of organisation for fun were no underdogs: michael münzing and luca anzilotti would go on as duo snap! and write global hits like the power or rhythm is a dancer, writing pop history. and the third member of off was then 21-year-old sven väth, today one the most notorious international djs. michael and luca were the masters of equipment, responsible for the mixing desk and the recording tape we used to make the master tapes. i was the one providing song ideas, grooves and bringing a good mood to the studio.

the new album for the singer and artist mykal rose aka michael rose aka the former lead singer of one of reggae’s greatest and most successful artists black uhuru from 1977 to 1983 is produced by mr. lloyd james aka prince jammy aka king jammy.

ltd summer 2016 deal.. its a really clever go lucky move that the never resting glückskind founders michael klang and jürgen kirsch got samuel knob on board. the valencia-based producer really knows how twist those knobs to come up with the craziest noises. his skills, honed during his residency times at barraca music and narita club, are perfectly put into use with this crafty release that should have people dancing on the roof tops--naked. samuel, a drummer who jumpstarted his musical career at the age of sixteen in a pop-rock band, is exploring the outer realms of percussive beats, incorporated in a tight yet not at all minimal sounding house construct. inspired by his father who is also a drummer and programmer, he does not hesitate to foray into unknown dimensions, making this eleventh glückskind release a very special piece of black gold

ambivalent ist das pseudonym von dj und produzent kevin mchugh: ursprünglich aus den usa stammend, hat er seine zelte inzwischen in berlin aufgeschlagen wo er weiter an seiner kunst feilt, schlanker und kraftvoller techno für bewegungsfreudiges publikum. entsprechend haben ambivalent-releases ihren weg zu labelklassikern wie etwa ovum oder cocoon recordings gefunden. cocoon zeichnet auch für seine gefeierte daylights-single verantwortlich, eine erweiterung der dank seines la-4a analogprojekts besonders erfolgreichen letzten monate. jetzt präsentiert er mit speicher 92 einen mehr als passenden beitrag zur traditionsserie. whyou ist eine durchaus muskulöse angelegenheit, dank potenter moog-riffs und einer hungrigen tr 909. die rückseite glänzt mit einem hypnotisch-energetischen, remix von kompakt-boss michael mayer ein persönlicher held von mchugh seit mindestens 15 jahren. ein echter doppel-headliner, der die spreu vom weizen trennt.

dramaturgisch tipp-topp dynamischer house in zwei richtungen: die a-seite basiert auf einer hypnotischen synth-meledie, und kommt wuchtig im bassbereich. ein moderner aber auch shahrokh typisch eigener house tune, durchaus für die peak time. die b-seite ist etwas graziler, ein mit steel drums durchtränkter, subtil triolisch groovender mid-tempo track, der im club wächst und wächst. shahrokh hat beide stück mit beanfield und michael reinboth im münchner studio produziert.